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Friday, October 17, 2003 Sean Penn on American action movies"'You're the good guy, and the good guy not only shoots the bad guy, but he shoots him through the head, and 20 lbs. of gray matter fly out the back, and hurrah hurrah.' Then the lights come up. And the repercussions of these actions aren't dramatized. There's something emotionally corrupt about films that celebrate the worst in us." Thursday, October 16, 2003 The Observer's 100 greatest novels of all time Wednesday, October 15, 2003 Swarthmore computing freedom group getting attention, though their site (and this article) is suspiciously offline now, a couple weeks after this item was originally posted [Undernews]The group, founded by Nelson Pavlovsky '06 and Luke Smith '06, is dedicated to a multitude of issues pertaining to the prevention of the limiting of open culture. This translates into resisting the efforts of the Recording Industry Association of America to sue those who share music files, opposing the Digital Millennium Copyright Act and similar expansion of intellectual property law, spreading the use of Linux and other freeware programs and fighting the plan of Microsoft and the "Trusted Computing Platform Alliance" to put monitoring chips in personal computers.
New translation of Stendahl's The Red and the Black might make it readableThe new translation by Burton Raffel rocks. Or, more precisely, it's a blast, which is exactly how Raffel (a distinguished professor of humanities at the University of Louisiana at Lafayette who has also dragged Balzac's old warhorse, Père Goriot, kicking and screaming into the 21st century) has Julien describe his own life: "'If you give me twenty francs,' he says to a visitor while awaiting his trip to the guillotine, 'I'll tell you, in detail, the story of my life. It's a blast.'" Raffel restores to Stendhal the quality that, in the words of V.S. Pritchett, makes "each sentence of his plain prose" read like "a separate shock." [link]Heard endlessly of Stendahl but never read him. Maybe now I will. Monday, October 13, 2003 The art assistant [Arts Journal]Working in Tyson's studio situation caused Titchner to make a significant departure from Tyson's practice. 'It's led me to be more emollient to individual works. Work flying in and out of the studio without being resolved is depressing. I've become more clingy to my practice.'
Kazaa inventors are back with Skype: free P2P-based PC-to-PC phone service with headset & broadband
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