==pla|\|ing lakes==

Rarely has reality needed so much to be imagined. --Chris Marker
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Archives of charging the canvas, my defunct political blog


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VIEWING:
(r) = re-viewing

Master and Commander

Calendar (1993)

Le Petit Soldat (1963)(r)

The Black Hand (1950)

Love Actually

Scorpio

Saboteur (r)

Independent Lens: The Weatherman Underground

The Last of Sheila

Prime Suspect 6


Also watch 24, Family Guy, Touching Evil & The Daily Show with some regularity



READING:
(r) = re-reading

The Zenith Angle - Bruce Sterling

Hex - Maggie Estep

Spooks: The Haunting of America -- The Private Use of Secret Agents - Jim Hougan



Ocean of Sound

Ocean of Sound



As Above, So Below: A Novel of Peter Bruegel

As Above, So Below: A Novel of Peter Bruegel



Set This House in Order

Set This House in Order : A Romance of...



The Songs of the Kings

The Songs of the Kings





LISTENING (recent playlist)

"Aquaman" - Human Isolated Bacteria

"vraill" - arovane

"dax att s" - deltids escapism

"scorpions" & "suplix" - dick richards

"doc" - i/dex

"C3" - Johan Wieslander

"Heizchase Nailway" - Mouse on Mars

"mir" - murcof

"imho, irjustsomeoneelse" - neelka

"I Cannot Forget" - scanner

"Future Visionary" - Thomas Park (Mystified)

"In the Attic of the Night" - tlon




















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Friday, October 17, 2003

Sean Penn on American action movies
"'You're the good guy, and the good guy not only shoots the bad guy, but he shoots him through the head, and 20 lbs. of gray matter fly out the back, and hurrah hurrah.' Then the lights come up. And the repercussions of these actions aren't dramatized. There's something emotionally corrupt about films that celebrate the worst in us."


12:42 AM - [Link] - Comments ()


Thursday, October 16, 2003

The Observer's 100 greatest novels of all time

I've read 22 of them, not much for an English major. But I long ago stopped caring whether I read the "important" works. Too many, and I can only read what clicks with me, no matter how important.

Have to say the omission of Naked Lunch -- while unsurprising particularly on a British paper's list -- glares.

Also Fear and Loathing in Las Vegas and there are many I could switch with some of the titles chosen, given time.

Fun though, and always nice to be reminded of books I've wanted to read.

Phil Dick's Ubik or The Three Stigmata of Palmer Eldritch (A Scanner Darkly?) would be on my list, as well as Ballard's High Rise (if I had to choose among his oeuvre).

Hammett's Red Harvest (the only one of his I've gotten through so far) is pretty damn good too. So is Joyce Cary's The Horse's Mouth and Samuel Delany's dhalgren. And Neuromancer? . . .

So many I've probably forgotten. . .

12:15 AM - [Link] - Comments ()


Wednesday, October 15, 2003

Swarthmore computing freedom group getting attention, though their site (and this article) is suspiciously offline now, a couple weeks after this item was originally posted [Undernews]
The group, founded by Nelson Pavlovsky '06 and Luke Smith '06, is dedicated to a multitude of issues pertaining to the prevention of the limiting of open culture. This translates into resisting the efforts of the Recording Industry Association of America to sue those who share music files, opposing the Digital Millennium Copyright Act and similar expansion of intellectual property law, spreading the use of Linux and other freeware programs and fighting the plan of Microsoft and the "Trusted Computing Platform Alliance" to put monitoring chips in personal computers.


1:47 PM - [Link] - Comments ()


New translation of Stendahl's The Red and the Black might make it readable
The new translation by Burton Raffel rocks. Or, more precisely, it's a blast, which is exactly how Raffel (a distinguished professor of humanities at the University of Louisiana at Lafayette who has also dragged Balzac's old warhorse, Père Goriot, kicking and screaming into the 21st century) has Julien describe his own life: "'If you give me twenty francs,' he says to a visitor while awaiting his trip to the guillotine, 'I'll tell you, in detail, the story of my life. It's a blast.'" Raffel restores to Stendhal the quality that, in the words of V.S. Pritchett, makes "each sentence of his plain prose" read like "a separate shock." [link]
Heard endlessly of Stendahl but never read him. Maybe now I will.

6:25 AM - [Link] - Comments ()


Monday, October 13, 2003

The art assistant [Arts Journal]
Working in Tyson's studio situation caused Titchner to make a significant departure from Tyson's practice. 'It's led me to be more emollient to individual works. Work flying in and out of the studio without being resolved is depressing. I've become more clingy to my practice.'

Mary Horlock, curator of Titchner's Art Now show and author of a forthcoming publication on Julian Opie, says: 'You can see a creative dialogue between Keith Tyson's work and that of Mark Titchner, but you never know whether that's why they were drawn to work together in the first place - like Julian Opie and Michael Craig-Martin - or whether there's a slight tendency to adapt from each other and that comes out afterwards in the work. It's part of the hidden network that goes on.'


1:07 AM - [Link] - Comments ()


Kazaa inventors are back with Skype: free P2P-based PC-to-PC phone service with headset & broadband

PC-to-phone to follow.

12:42 AM - [Link] - Comments ()





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