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This is Gordon Osse's blog.
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"He who does not at some time, with definite determination consent to the terribleness of life, or even exalt in it, never takes possession of the inexpressible fullness of the power of our existence."
-- Rilke
Love,
the powering,
the Widening,
light
unraveling
all faces followers of
All colors, beams of
woven thread,
the Skin
alight that
warms itself
with life.
-- Akhenaton, "Hymn to the Sun"
Opt your children out of Pentagon harassment
Donations appreciated:
WHO I WORK FOR: Mount Hope Wholesale
Wholesale nuts, grains, fruits and spices (and more) shipped from Cottonwood AZ
(Tell them you heard about them on Gordon's blog!)
WHAT I'VE SEEN LATELY:
MOVIES
(r) = re-viewing
God Told Me To (1976, Cohen)
Whispering City (1947, Otsep)
Times and Winds (2006, Erdem)
Dirty Money (Un flic) (1972, Melville)
10th District Court (2004, Depardon)
RFK Must Die: The Assassination of Bobby Kennedy (2007, O'Sullivan)
The Furies (1950, Mann)
In a Lonely Place (1950, Ray)(r)
The Adjuster (1991, Egoyan)(r)
TV
Mad Men The Buddha of Suburbia Intelligence (2006, Haddock) Family Guy
SUGGESTED VIEWING: The Power of Nightmares: The Rise of the Politics of Fear (2004, Curtis) [available for streaming/download here]
For fees ranging from $50 to $300 -- a small fraction of what most lawyers charge even for an uncontested divorce -- couples are being provided with the appropriate forms and varying degrees of help completing them.
The phenomenon is spreading. Rival firms CompleteCase.com and LegalZoom.com each say they have served 20,000 clients nationwide in less than three years of operation. Hits on the divorce section of the California court system's do-it-yourself Web site soared from 6,800 in May 2002 to about 15,000 last month.
For a dozen years now I have resisted the blandishments of family and friends, refusing to equip my car with a cellphone or hang one from my belt, steadfastly maintaining that the best reason to leave the house is to escape its tyranny. Carrying one around seems as onerous as wearing a court-ordered collar, but then I've never been comfortable making calls - few of the men in my family are. My father used to sit beside a ringing phone insisting, "If you wait long enough, it stops." And it always did.
I feel victimized by its imperial summons, forced to interrupt work, to pause in mid-sentence, to rise from the dinner table, even, on occasion, to step from the shower, dripping with irritation; I feel entrapped by another's impulse, impelled to respond without benefit of adequate reflection or the eye contact so critical to understanding true intent.
Perhaps I'm alone in this, or perhaps, as others have suggested, it's genetic. It's not the caller that annoys me so much as the conditions of the conversation. I hear well enough, but discovered long ago that hearing alone is not sufficient for comprehension. In order to absorb the full import of another's words I need to be in their presence, to watch mouth and eyes, the tilt of the head, the tension in neck and shoulders. The spoken word is but one part of the total communication and I, for one, simply don't get the message without the other elements. So why compound this discomfort by exposing myself to it wherever I might be?
I once liked phones, but since my 30s I've been less and less enamored of them. Cellphones sound more like a sentence than a convenience to me.
Whereas I find email a civil, calming form of communication, cells seem quite the opposite.
Through photomurals and video visits, Passport to Paradise will offer glimpses of the domes, towers, elaborated fa?ades, and labyrinthine layout of a building complex in Senegal that is made entirely of straw, reed, and sticks. The structures are aesthetically stunning. As first encountered by the curators in 1994 (and illustrated in the photographs to the right), straw, reeds, and sticks of yellow and red hues were bundled with baling wire and juxtaposed in harmonious patterns across walls rising to seemingly perfect domes of straw. Triangular and bar motifs marched across the walls. The compound is the inspired creation of a holy man (marabout) named Serigne Omar Sy, accomplished by a group of young men living a monastic life with him. Amadu Bamba has come to Serigne Sy in dreams, explaining that he should recognize and venerate the reed pen (qalam) with which one writes the Word of God. Sufi poetry bears many references to a writer's intimate relationship with the pen, for with diligence and devotion, one can become "a pen in the hand of God." Serigne Sy and his men have realized this sense through what can be justly called an architecture of the Word. The fretwork of triangles and other forms are holy "words," Serigne Sy says, in an arabesque that conveys the rhythms and intentions of writing. The layout of the 1994 compound was a geomantic device ("magic square") that concentrated healing energy toward its central chamber. As construction proceeded, repairs were needed for earlier portions, making the place a monument to Bamba's philosophy of never-ending work for the glory of God. Serigne Sy is a controversial man, however, and the compound has been burned to the ground twice by those opposed to his visionary practices. The place's vulnerability must be an important aspect of its message, and without entering such an unfortunate fray, visitors to Passport to Paradise can easily appreciate the spiritual and artistic achievements of this wondrous architecture of the Word. Most intellectually staggering of all is the fact that Serigne Sy and his followers live in a sacred text as literally as can be imagined. [link]
On top of the reverse-shadow eclipse this coming Saturday, there were 2 X-3 class solar flares over the weekend (one of which generated a geo-storm which will hit soon), 2 comets got eaten by the sun and a sunspot the width of 6 Earths formed.
SpaceWeather has animation of the latter two events.
Despite the rise of Hindu fundamentalism and laws providing up to a 5 year sentence for adultery, sex and sensuality are making a big comeback in India
Economic good times and email -- and a new assertiveness by women -- have something to do with it.
The real source of the massive urge for sexual exploration that Indians, particularly women, have developed suddenly is as mysterious as the reasons for the rise and all of civilizations. But one thing has come out clearly in the survey. New technology is an important factor encouraging the phenomenon. Internet and mushrooming cyber cafes have helped, as have mobile phones and SMS (short message service) facilities. Women and men have suddenly heard from old flames, childhood friends, former classmates, whom they may have fancied once, dates have been fixed, and one thing has led to another. In most cases straight, unembarrassed initiatives have come from women, as men twiddled their fingers thinking of creative ways of broaching the subject.
Wife swapping, relatively unknown in India until recently, has made an appearance. Adventurous couples are advertising in newspapers their desire to meet like-minded people for wife and husband swapping.
Good little interview with David Thomson (see The New Biographical Dictionary of Film link in left column)
Pop Matters: What is the value, to you, and to a culture, of literacy?
David Thomson: I think it's just vital. I think it's a scandal that, 100 years after the dawn of film and at a time when we know statistically how much time children spend watching moving imagery, that the educational system doesn't take on filmic literacy. For instance, classes could ask what is a cut and what does it do, as they ask what is a sentence and what does it do. Yes, literacy has declined. And you've got children who are terribly vulnerable to what they see on the screen. I think the school should spend much more time examining how we think we know. How do we think we understand? I think those are huge issues.
I'm very interested in film as an influence on behavior, in how films affect the way people regard love and truth and violence. It's something I've been trying to explore for a long time: the degree to which films have been making a dream landscape for all of us. The degree to which many people walk around today in life as if they half hope they're being photographed. Everyone is a little bit of an actor nowadays. The people as a whole have turned into ghosts that are imitating people in films. Nobody in this country has any politics anymore, and I think it's connected. We've given up the responsibility of being ourselves. Generally, I think film is much too complicated to be just worshipped. I find that very disturbing.
ex-lion tamer on art (particularly 70s punk & co.) and edgesex
malcolm mclaren, svengali to the sex pistols, operated a bondage wear shop in london called sex, one of the first storefronts to offer latex wear by the light of day instead of by brown paper mailorder, and what's more to offer it as a replacement for/radical statement on high fashion. this was the environment in which the pistols were germinated.
similarly, the new york dolls, arguably the catalysts for late 70's new york punk, were as much a part of the drag performance scene as they were rock musicians. wendy o. williams of the plasmatics was an actress in porn films and made that aesthetic an integral part of her work. lydia lunch, the san francisco punk prophetess, shock performance artist and goth queen, destroyed the boundary between north beach smut purveyor and high-theater mainstay. throbbing gristle was born out of some very dodgy performance art bordering on live action pornography. many punk musicians who later became famous made their skag money as twinks for high society perverts.
Because of the moon's irregular orbit and it's unusual shadow path this time, the moon will (for those in the UK and nearby) appear a smaller disc outlined by the sun -- and the shadow's movement will be the reverse of its usual west-to-east direction
When Don is sprung, he comes home to a seemingly healthier, higher-rent Crumbtown. New storefronts. Freshly painted barber poles. But this isn't a case of another Massachusetts Miracle. Instead, in Don's absence, Crumbtown's sheer seediness has made it the location of choice for television cop shows searching for that gritty edge. The entire town has been handed over to actors and producers, including desperate Hollywood director Rob Landetta. Rob's high concept is to adapt Don's criminal career to the small screen, altering small parts of his history (meaning everything) in order to transform Don into a modern-day Robin Hood. Rob's producer isn't quite on board. It's a crime show without cops, he complains. "Crumbtown is post law enforcement, post Bill of Rights," Rob pitches.
CBC Radio One interview with Barbara Gowdy (The Romantic, in RealAudio, 21 mins., see February 14 entry)
There are a number of interviews with various people, apparently between 5 and 30 minutes long. Among them: William Gibson, Ian McKellan, Inuit throat singer Tanya Tagaq Gillis, and Leida Finlayson, who's been collecting stories of children of hippie parents and was recently diagnosed with terminal cancer and is looking for help from potential interviewees to finish the book.
The massive November quake in Alaska was actually a complex of 3 quakes, and its focussed directionality caused the effects to be felt for thousands of miles
The Denali fault earthquake was very directional ? it took only about 100 seconds to tear 210 miles of faults from west to east. New seismographs that faithfully record large earthquakes, GPS surveys, and surface measurements of offset features, show that the earthquake produced tearing along different faults, and it did not evenly release energy. In effect, the event was a composite of three smaller earthquakes: a M 7.2 earthquake on the previously unknown Susitna Glacier fault, two major pulses of slip (magnitudes 7.3 and 7.8) on the Denali fault, and finally a smaller amount of slip on the Totschunda fault. The largest side-to-side offset was about 29 feet.
[...]
As a result, said USGS scientist Peter Haeussler, one of the lead authors on the report, the earthquake effects were most pronounced in one direction -- southeast of the fault trace toward western Canada and the lower 48 states. Consequently, the Denali fault earthquake was felt as far away as Louisiana. The earthquake also disturbed the level of water wells in Pennsylvania by up to 2 feet, damaged houseboats in Seattle from sloshing seismic sea waves, and triggered small earthquakes at many volcanic or geothermal areas in the direction of rupture. The most pronounced triggering occurred at Yellowstone, Wyoming, with 130 small earthquakes in the 4 hours following the 1,940-miles away Alaskan rupture. In the other direction by contrast, only one of the many active Alaskan volcanoes had triggered earthquakes.
As spam has proliferated and with it the attempts by big Internet providers to block messages sent from the addresses of known spammers many mass e-mailers have become more clever in avoiding the blockades by aggressively bouncing messages off the computers of unaware third parties.
In the last two years, more than 200,000 computers worldwide have been hijacked without the owners' knowledge and are currently being used to forward spam, according to AOL and other Internet service providers. And each day thousands of additional PC's are compromised at companies, institutions and most commonly of all homes with high-speed Internet connections shared by two or more computers.
[...]
...the rapid rise in the number of spammers trying to hijack innocent computers is a direct result of their desire to hide their own Internet protocol addresses from spam blockers. Most commonly, they are taking advantage of a backdoor in much of the software that office users or people with high-speed connections at home often install to share an Internet link among several computers or so-called proxy servers. Some other types of e-mail and Web surfing software, typically run by larger companies, can also be taken advantage of if security features are not properly set up.
Civilization dating back 2700 years discovered in Nicaragua
There are monuments, petroglyphs (rock paintings) and pottery, and most remarkably, an area where many huge columns were formed out of rock - columns which may have been used at burial sites.
[...]
Independent experts say this shows that the process that led to the founding of the Mayan cities, such as Tikal, Palenque, or Copan (in Guatemala, Mexico, and Honduras respectively) covered a much larger geographical region than archaeologists have supposed up to now.
With young Spaniards living in close quarters with their families longer than they used to, a Green Party legilator in the small town of Grenada has proposed a (undoubtedly quixotic) 50otel discount for teens' sexual trysts, outraging their elders [Undernews]
The documentation of bad behavior is thorough and tireless. Martin Scorsese was so coked out one night that he chased after his girlfriend, completely naked, down Mulholland Drive. Paul Schrader, screenwriter of Taxi Driver and director of Blue Collar, slept with a loaded Smith & Wesson .38 on his bedside table and had a tendency to wave it around when he spoke, "to make a point." Chinatown producer Robert Evans became so paranoid from drug abuse that he refused to leave his home and conducted production meetings for Paramount from his bed.
As the likes of Francis Coppola, Hal Ashby, and Robert Altman fashioned themselves after the auteur theory propogated by the French critics of Cahiers du Cinema, they came to believe their own press and take themselves too seriously. They weren't mere "movie directors," they were auteurs, generals, gods. Both Coppola and William Friedkin followed blockbuster hits (The Godfather and its sequel for Coppola, The French Connection and The Exorcist for Friedkin) with ambitious films whose productions resembled small-scale wars. Coppola's Apocalypse Now was moderately successful and received mixed reviews but has since become a classic. Friedkin's Sorcerer was a bomb in every respect and signaled the downfall of his career; he's now a for-hire director on action fare like The Hunted.
I found the author's writing about the tournament heart-stoppingly dramatic, as brilliant as anything ever written about poker. And while his coverage of the Binion trial feels less compelling, less fought-for, Positively Fifth Street, like Sin City itself, is an endlessly fascinating spectacle.
By the mid-1940s a number of the city's most distinguished architects -- including Soriano, Richard Neutra, Charles and Ray Eames, Eero Saarinen, and Soriano's prot?g?s Pierre Koenig and Craig Ellwood -- recognized that the techniques and materials of the war industries, especially the aeronautical industry, could be used to design and build a new type of affordable and beautiful house for southern California's swelling population. They were enlisted in the Case Study House program (1945-1966), which aimed to build avant-garde Modernist family homes on a bourgeois budget. Marked by a fluidity of indoor and outdoor space (the Case Study architects, Soriano in particular, were adept at interweaving rooms and patios), and built largely of glass framed in lightweight steel, these clean-lined houses also managed (unlike Philip Johnson's and Mies van der Rohe's soulless domestic glass boxes back east) to be jaunty, relaxed, and remarkably livable. Soriano's work was the apotheosis of the Case Study House ideals. Like his mentors Rudolf Schindler and Neutra, Soriano molded the understated, pure Modernist aesthetic to the climate and good life of southern California. But he was equally attentive to cost and to the need for easy and fast construction, and was hence imaginative and innovative in his frequent use of prefabricated, industrial, and off-the-shelf materials. This book places Soriano's designs in the cultural, political, and economic context of postwar southern California, and it keenly assesses both his breezy, family-friendly houses and his contribution to the Case Study movement (his pioneering use of steel module frames eliminated the need for interior, load-bearing walls and resulted in the open floor plans that became a distinguishing feature of the program's houses).
On Monday, as first reported by CNET News.com , the RIAA withdrew a DMCA notice to Penn State University's astronomy and astrophysics department. Sent during Penn State's final exams, it prompted the central computing office at the campus to threaten the department with having its Internet connection severed unless the infringing material was removed.
The problem, however, was that no infringing file existed on the department's computer. The RIAA's automated program apparently confused two separate pieces of information--a legal MP3 and a directory named "usher"--and concluded there was an illegal copy of a song by the musician Usher.
In a second incident, Speakeasy, a national broadband provider, said Tuesday that the RIAA had apologized for sending it a cease-and-desist letter alleging illegal activity on a subscriber's FTP site devoted to the Commodore Amiga computer. The RIAA's form letter sent to Speakeasy last Thursday alleged the Amigascne.org site illegally "offers approximately 0 sound files for download. Many of these files contain recordings owned by our member companies, including songs by such artists as Creed."
New Yorkers surrender to empathy. The tragedy of 9/11 inspires a mood of collective tenderness that is almost exhilarating, almost a relief: Hype's spell has been broken and the city can recover its own reality principle, emerge with new thinking from the unthinkable. But politics interfere. In spite of Bloomberg's pragmatic sobriety, the transnational metropolis is enlisted in a national crusade. New York becomes a city (re)captured by Washington. Through the alchemy of 9/11, the authoritarian morphs imperceptibly into the totalitarian. A competition for rebuilding Ground Zero is held, not to restore the city's vitality or shift its center of gravity, but to create a monument at a scale that monuments have never existed (except under Stalin).
On March 17, at 9:30 am, the winning architect rings the bell of the New York Stock Exchange. At 8 pm, the president issues his ultimatum to Saddam, the "displaced" author of the WTC disappearance. At midnight on March 20, the war starts. At 8 am, at a breakfast meeting in lower Manhattan, the "Master Design Architect," an immigrant, movingly recounts his first encounter with liberty.
Instead of the two towers - the sublime - the city will live with five towers, wounded by a single scything movement of the architect, surrounding two black holes. New York will be marked by a massive representation of hurt that projects only the overbearing self-pity of the powerful. Instead of the confident beginning of the next chapter, it captures the stumped fundamentalism of the superpower. Call it closure.
Six key factors have led to children watching less Saturday morning cartoons: more recreational sports, the introduction of cable and satellite TV, the Internet and video games, a poorer quality of animation, and a greater emphasis on family time. These factors are rather self-explanatory with the exception of the latter: the divorce rate of Americans now stands at 49 percent, and time on the weekends has become more precious for children as many commute between parents' houses. For parents who only have limited access to their children due to either divorce or career advancement, plopping them down in front of the television for five hours on a Saturday morning is no longer a viable option.
[...]
A child who never knew the phenomenon of Saturday morning cartoons sees no reason to watch cartoons on Saturday mornings rather than on Wednesday nights or Sunday afternoons. Nevertheless, according to some studies, when a child sees the color orange, the first word the child associates with that color is "Nickelodeon." Today's children are being raised as brand loyal to Nickelodeon and Cartoon Network's signature checkerboard. These brand loyalties form as early as two years of age.
Music for a good cause, the Center for Cooperative Research
CD 1 Ani DiFranco Sleater-Kinney Public Enemy Billy Bragg Midnight Oil Chumbawamba DJ DisOrientalist Asian Dub Foundation -with Tariq Ali Life Seize the Day Crass Change The Unpeople - with John Pilger Slovo Yo La Tengo
CD 2 Ms Dynamite Roots Manuva Alabama 3 The Mark of Cain John Lester GM Babyz Torben & Joe - with Ken Livingstone Nitin Sawhney Funmental SuparNovar Laszlo Beckett Pok & the Spacegoats Stephan Smith - with Pete Seeger & DJ Spooky Saul Williams - with Coldcut Sia Massive Attack Bindi Blacher
On the new SciFi Channel reality show Mad Mad House "five people with different alternative lifestyles rule the roost, and try to entice 'Joe Normal' contestants to their way of living!"
This show puts contestants into Alt Manor, a house inhabited by a vampire, a witch, a voodoo priest, a yoga master and a psychic, where the contestants must compete in a series of increasingly bizarre challenges to claim a grand prize.
Here's the download link for the application to be one of the "Alts".
Three parts Sgt. Pepper's Lonely Hearts Club Band, two parts Jesus Christ Superstar, and 100 percent utterly unique, The Polyphonic Spree is the very big little Dallas band that could.
As Spree shows commence, a joyful Tim DeLaughter dramatically leads his 20-some bandmates - all wearing flowing white robes - from the back of the darkened club toward the stage. Exuberant fans - many wearing fuzzy red hats - part like the Red Sea to accommodate them.
In addition to your typical rock components - vocalist, electric bass, guitar, and drums - the Spree features instruments that don't usually get a workout outside of an orchestra pit. Trumpet, trombone, flugelhorn, and harp share the stage with a choir of nine singers who bounce joyfully on risers, belting out backup vocals for Mr. DeLaughter. [link]
Not my cuppa, as they say in England, but equal parts interesting and disturbing.
A student-compiled course in L.A. Lit [Christian Science Monitor]
Brown is the only public defender that provides the free defense for the people that cannot afford such deals. Such is the case with Robert Fernandez, a young teenage boy whom Brown along with the Fernandez family and the